More than Stories is an exhibition comprising a trilogy of films inspired by Anya Lewin’s family photographs and stories, and their interconnections with history and public archives. Each film has at its heart the haunted memories of Jewish life embedded in a particular story passed down to Lewin by her father.
Series of lectures, organised by the Research Centre for German & Austrian Exile Studies, at the University of London’s Institute for Modern Languages Research
Study day and concert celebrating Hans Keller’s centenary, featuring discussion with musicians who knew Keller, a music workshop, film showing and concert by the Elias Quartet.
A selection of recent essay films – poignant, thought-provoking, sometimes darkly humorous and frequently disturbing – made by UK-based members of the so-called ‘Second Generation’, namely, the children of refugees from Nazi Europe and/or Holocaust survivors, whose work explores the complex and necessarily problematic legacy of their families’ experiences.
Based on documents found in Berlin archives, Four Parts of a Folding Screen explores exclusion, statelessness and the legalised theft and sale of everyday family possessions by the National Socialist regime.
Come to the screening of a series of short films about the welcome and non-welcome experienced by young people who have migrated to the UK – from Syrian children on the Isle of Bute in Scotland, to Iraqi Kurdish youth in Norwich, to Eritreans in Harrow and Polish children in Sidmouth.
Drawing on a wealth of still and video archival materials, this new digital exhibit brings to life the fascinating intersection of psychoanalysis and education.
This year on Yom Hashoah we remember the Holocaust through the experience and sculpture of Naomi Blake, who through her abstract and semi figurative pieces, sought to promote understanding between faiths. We will also be introduced - through a recently produced film - to the powerful sculpture of Maurice Blik. Naomi’s protective, nurturing and hopeful style, together with Maurice’s strong, defiant, outward-reaching forms, demonstrate contrasting but equally positive expressions of their experiences as survivors of the Holocaust.
Marking the 80th anniversary of the 1939 occupation of Czechoslovakia the event showcases the work by refugee filmmakers Jiri Weiss and Karel Lamač who captured the fellow countrymen in short films for the Ministry of Information.
80 years ago 10,000 children came to Britain as unaccompanied refugees on the Kindertransport from Germany, Austria and Czechoslovakia, escaping Nazi Europe. Following a screening of some extracts of interviews, the panel discussion with two former Kinder, chaired by Dr Bea Lewkowicz, Director of the AJR Refugee Voices Testimony Archive, will explore how the Kinder adapted in Britain and how they dealt with being separated from their families and their homes
Lecture given by members of the Research Centre for German and Austrian Exile Studies
20:20 vision is a dynamic arts and community legacy project from not-for-profits Salusbury WORLD Refugee Centre and FotoDocument, which celebrates the contribution of refugees to the UK. The project focuses on 20 children from diverse backgrounds who arrived in the UK circa 1999 and casts a long lens over their lives and achievements fast forwarding 20 years later to 2019.
Lecture given by member of the Research Centre for German and Austrian Exile Studies, based at the Institute for Modern Languages Research, University of London
The Italian Cultural Institute celebrates Germano Facetti: a Nazi labour camp survivor who changed the face of publishing in Britain.
20:20 is a multimedia, touring arts and heritage project that casts a long lens over the personal memories of refugee families who arrived in the UK from 1999 onwards from Kosovo and other major global conflicts.
20:20 is a multimedia, touring arts and heritage project that casts a long lens over the personal memories of refugee families who arrived in the UK from 1999 onwards from Kosovo and other major global conflicts.
20:20 is a multimedia, touring arts and heritage project that casts a long lens over the personal memories of refugee families who arrived in the UK from 1999 onwards from Kosovo and other major global conflicts.
The 1920 Treaty of Trianon, signed at Versailles, split Hungary apart, pushing artists westwards. This exhibition follows those who made their lives across the Channel, celebrating a particular contribution to British culture.
