News

Film: Ernö Goldfinger’s Glenkerry House

The focus of this short film is the Glenkerry House tower block in Poplar, which marries brutalism with its architect Erno Goldfinger’s utopian housing ideals. Built in east London in 1977, Glenkerry House is a 14-storey residential tower that functions as a housing cooperative. It forms a part of Hungarian architect Goldfinger’s Brownfield Estate – a group of concrete tower blocks and low rise housing at the north entrance of the Blackwall tunnel.

Read more on Dezeen

 

The Oldham Mural – why this rare and threatened modern artwork needs protection

Join Henrietta Billings, Director of SAVE Britain’s Heritage and Nick Braithwaite, great nephew of the artist George Mayer-Marton, for this recording of an online event and discover more about the artist, the mural and the current campaign to save it.

 

Another Eye Online Conference

Four Corners are delighted to announce that bookings are now being taken for the Another Eye free online conference, celebrating the contribution of women refugee photographers who came to Britain after 1933, to be held between 11-13 September. The conference is held in association with Insiders/Outsiders and the History and Theory of Photography Research Centre, Birkbeck. Click here for further details.

 

 

 

 

 

Suzanne Perlman 1922-2020

It is with great sadness that we have to announce the death on 2 August of artist Suzanne Perlman, just a few days after she appeared in conversation with her grandson Matthew.

A recording of that memorable event can be accessed here.

 

 

 

 

 

 

Exhibition Reopenings

Both the Another Eye photography exhibition at Four Corners and the Groag exhibition at Isokon have recently reopened.

 

New Free Online Events Programme

Following the well-attended and well-received programme of events held to coincide with this year’s Refugee Week (15-21 June), we were pleased to announce a further series of free online events in late July. Click here for details.

As will be evident from the two programmes of free online events we’ve already organized, we are determined that the Insiders/Outsiders Festival should have a rich afterlife. But we need your help. So please consider making a donation to the Insiders/Outsiders Arts Foundation (registered charity number 1182867) to enable us to continue with our (entirely not-for-profit) activities.

Insiders/Outsiders Arts Foundation
Barclays Bank
Sort Code: 20-76-90
Account no.: 43065057

 

Laelia Goehr: Photographer

This website has been created by Julia Crockatt to share the photographs of her grandmother, Laelia Goehr, one of the many women photographers who came to the UK in the 1930s as a Jewish refugee from Germany. She took up photography seriously when she started war work in the 1940s and continued until the 1980s.

Many of her photographs have been seen and published, such as her well-known portrait of her mentor, Bill Brandt; others are in the family archive and have not been seen for many years, if ever. It has been a fascinating journey for Julia, piecing together the story of someone who was a refugee not once but twice over, who on arrival in the UK had to start again in a new place with yet another language, and who with determination and hard work became a successful and well published photographer.

 

Insiders/Outsiders Online Events for Refugee Week

15-21 June 2020

In partnership with the Association of Jewish Refugees and Four Corners, London

To coincide with this year’s Refugee Week, which like almost everything else has had to go digital, Insiders/Outsiders put on a lively and diverse programme of free online events. Click here for full details.

 

 

 

 


Sanctuary and Exile Project

 


 

Paul Koralek 1933-2020

Architect, born in Vienna, came to England at the age of five, For obituaries see:
Royal Academy
Architects Journal
RIBAJ
Irish Times

 

 

 

 

 

Sunflowers, 1990’s

Eva Aldbrook 1925-2020

It is with deep regret that the death of Eva Aldbrook has been announced by her family.

She was nearly 95 and had lived for the last five months in a care home in Oakham, Rutland, near her daughter and family.

Eva (née Mehl) was born on 1st July 1925 into a bourgeois Jewish household in Hamburg, with an older sister Miriam and a happy childhood full of sport, friends and love. Her mother was enlightened and worked in an art gallery and instilled a love of art in the girls. Their father, a chemist and inventor of underwater welding and fluorescent paint, was also sporty and loving.

Miriam came first to Bunce Court, a school set up in Kent as a refuge for children escaping from Nazi Europe and Eva followed a year later in 1938. Their parents managed to avoid the death camps and escaped to London in 1939. Eva met Alexander Urbach (later changed to Aldbrook) at Bunce Court aged 13, vowed to marry at 21, which they did at Golders Green’s Dunstan Road Synagogue in 1946.

Portrait of Arnold Wesker, c.1950, Ben Uri Collection

Prior to that she studied costume design at St Martins School of Art and danced for the Anglo-Polish Ballet until she had to do war work as a developer at Kodak. She worked as a costume designer and later as a freelance fashion artist. She studied painting at Camden Arts Centre where she served as Vice Chairman for 12 years, before moving to Tuscany in 1989 where they had a large olive farm where Eva had a studio and became a prolific painter, enjoying many exhibitions of her work locally and one in Stuttgart, where pupils of a school made a dance of her life which they performed to her and Alex. In 2002 they sold the farm and moved to Florence, finally returning to England to be near their family in 2006.

She had an exceptional talent as an artist: with an extraordinary versatility of work which included stunning fashion sketches from her time when she freelanced for Vogue, Harpers & Queen, The Telegraph and had a column in the Evening Standard. It included wonderfully humorous costume designs when she worked for Nathans Costumiers and designs for her father-in-law’s London Opera Club. Early pencil sketches as a teenager, showed what was to come: charcoal and pastel life drawings, flowers painted in rich oils, a variety of rich scenes from her life in Tuscany, portraits of Henry Moore, Arnold Wesker, Maria Callas and other famous people and exquisite, colourful scenes of her visits to India. Still drawing until almost the end, she produced around 50 sketches of her carers at Stamford and, in the last week of her life, drew a sleeping resident of the care home.

Fashion sketches, 1950’s

Through her son, Mark Aldbrook and his partner Robert Drake, she was discovered late in life by Gray M.C.A., art dealers who specialise in fashion. She was delighted to have been included in two exhibitions of fashion artists in London where her sketches attracted high prices.

Eva was equally thrilled to have had her drawing of Sigmund Nissel, one of the founders of the Amadeus Quartet, included in Ben Uri’s exhibition of refugees’ work at the German Embassy for their exhibition entitled “Finchleystrasse” in 2018 where she was delighted to be hanging between Frank Auerbach (who also attended Bunce Court) and Lucian Freud. Also in that year, one of the pictures that she had donated to the Ben Uri Gallery of Arnold Wesker was included in their exhibition “Liberators: Extraordinary women artists from the Ben Uri Collection”.

A year later there was further excitement when she was interviewed and filmed in her home in Stamford for the Insiders/Outsiders project.

Recently she was made so proud to have a chapter about her work included in a book by Anna Nyburg on the contribution that refugees from Nazism made to the British Fashion Trade.

The fact that the Ben Uri Gallery are dedicating their forthcoming on-line exhibition to mark the 80th anniversary of internment to her memory, is a tremendous accolade and one that she would have loved.

Monica Stark, 30 May 2020

 

 


The See-Through House

BBC Radio 4 Book of the Week
18-22 May; available on BBC Sounds for 23-27 days

Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid; with colourful glass panels set against a forest of trees, it was like living in a work of art.

Shelley’s father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style. Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision.

Shelley’s book is her father’s own story: an Orthodox Jewish childhood in Yugoslavia; his rejection of rabbinical studies to pursue a life of art; his arrival in post-war Britain and his imagining of a house filled with light and colour as interpreted by the architect Peter Womersley.

A book about the search for belonging and the pain of letting go, The See-Through House is a moving memoir of one man’s distinctive way of looking at the world, told with tenderness and humour and a daughter’s love.

Excerpts from the book are read by Barbara Flynn.