This will be an opportunity to celebrate the poetry of the late Beata Duncan with selections from her collections Apple Harvest (Hearing Eye), Berlin Blues (Green Bottle Press) and the forthcoming Breaking Glass (WritesideLeft Press), all of which will be on sale on the night.
As part of the Isle of Man’s annual Heritage Open Day weekends in October, there will be a programme of guided walks around the Island’s capital, Douglas and nearby Onchan, looking at the sites of various Second World War civilian internment camps.
We visit sites Uhlman was known to frequent and discuss the role of his artistic friends and neighbours and consider other refugees who settled in Hampstead during this time
Explore Erich Mendelsohn’s design legacy with a talk on his life and a tour of the De La Warr Pavilion. A refugee from Hitler’s Germany, Erich Mendelsohn had already established an international reputation when he won the commission led by the 9th Earl De La Warr to design a new Pavilion for Bexhill. The result, a ‘people’s palace for art and culture’, was and continues to be an expression of a specifically social and moral agenda.
A chance to hear excerpts from three upcoming books with Ziba Karbassi reading from Lemon Sun, Marta Dziurosz reading from Renia’s Diary and Stephen Duncan reading from Beata Duncan’s Breaking Glass.
Alan Powers discusses the relationship between British design culture and the Bauhaus.
Ben Uri Gallery and Museum is delighted to present three free linked talks following on from the recent exhibition curated by the Ben Uri Research Unit, marking the contribution to art in Britain by the so-called ‘Hitler emigres’ on the 80th anniversary of the outbreak of the Second World War.
As part of the Isle of Man’s annual Heritage Open Day weekends in October, there will be a programme of guided walks around the Island’s capital, Douglas and nearby Onchan, looking at the sites of various Second World War civilian internment camps.
Discover the revolutionary Modernist homes and idealistic architecture built in Hampstead in the 1930s
Get familiar with Moholy-Nagy’s unique perspective at a night of immersive activities. A talk by the author Valeria Carullo will be accompanied by interactive performances by experimental artist Steven J Fowler that take you to a journey into Moholy-Nagy's world.
Ben Uri Gallery and Museum is delighted to present three free linked talks following on from the recent exhibition curated by the Ben Uri Research Unit, marking the contribution to art in Britain by the so-called ‘Hitler emigres’ on the 80th anniversary of the outbreak of the Second World War.
Talks by Charmian Brinson, Julia Winckler, Fran Lloyd and Rachel Pistol
Join Nikesh Shukla and Chimene Suleyman as they discuss the experience of editing and contributing essays to both the US and UK editions of The Good Immigrant.
A partly staged reading inspired by international human rights lawyer Philippe Sands’ award-winning bestseller about the Nuremberg trials.
Having accepted the necessity of exile as they ventured into the unknown, refugees had massive practicalities to contend with. This talk draws on archival materials, especially relating to the activities of the Society for the Protection of Science and Learning (SPSL), to reconstruct procedures and indicate the nature of the help the émigrés received from organizations and individuals in Britain and the United States.
Find out what happened to The Tattooist of Auschwitz’s Cilka Klein from author Heather Morris as she discusses her latest novel at a London-exclusive event.
Lecture by Jennifer Taylor, member of the Research Centre for German and Austrian Exile Studies, based at the Institute for Modern Languages Research, University of London
In partnership with The London Library and Jewish Book Week, renowned art critic, William Feaver, discusses the first volume of his landmark new work of biography of one of the most important artists of the twentieth century.
A one-woman theatre show incorporating circus and puppetry, it is the true story of Irene, a Jewish acrobat who survived the Holocaust hiding and performing at a German circus. The show switches between past and present, intersecting Irene's life with the performer's experiences growing up a grandchild to Holocaust survivors.
