The Pilgrim’s Progress Story: Private View
Martyrs’ Gallery is presenting an exhibition of words and images that depicts and celebrates Hans Feibusch’s allegorical mural Pilgrim’s Progress.
Martyrs’ Gallery is presenting an exhibition of words and images that depicts and celebrates Hans Feibusch’s allegorical mural Pilgrim’s Progress.
Martyrs’ Gallery is presenting an exhibition of words and images that depicts and celebrates Hans Feibusch’s allegorical mural Pilgrim’s Progress.
As part of CAMPLE LINE’s Summer 2019 Edition, Florian Kaplick will perform Kurt Schwitters’ sound poem Ursonate, a vocal piece consisting of four movements, an overture and finale. Schwitters began writing Ursonate in 1922 and first performed it in 1925 before publishing it in 1932 as ‘Sonate in Urlauten’ (Sonata in Primordial Sounds).
Explore the memories of the Freud family in Hampstead in this walk led by Blue Badge Guide Rachel Kolsky.
A new mobile exhibition about the Kitchener camp rescue of Jewish refugees to Britain in 1939
Dr. Agnes Grunwald-Spier MBE, a holocaust survivor, reveals the remarkable story of ceramicist and artist Grete Marks, who fled Nazi Germany in the 1930s.
Dr Jochen Hung gives a critical introduction to the history of Weimar Republic and the era that shaped Simon and her sitters.
In response to the positive reception the exhibition The Mad Silkman. Zika & Lida Ascher: Textiles and Fashion has enjoyed in the Czech Republic and abroad, among scholars and the general public alike, the Museum of Decorative Arts in Prague has decided to host an international conference.
The Italian Cultural Institute celebrates Germano Facetti: a Nazi labour camp survivor who changed the face of publishing in Britain.
As the abundance of wall plaques in the area demonstrates, visual artists have been drawn to the physical and cultural attractions of Hampstead since the late eighteenth century. This London day, however, concentrates on artistic life in Hampstead in the 1930s, the period in which it occupied a unique place in the story of British art and architecture.
Taking Gerty Simon’s striking image (c. 1929) of the sculptor Renée Sintenis as a starting point, this talk will explore Simon’s photographs as part of a wider culture of the artistic face and body in Weimar modernity.
This one-day symposium will examine the contribution of refugee dancers from Nazi Europe and their contribution to British Culture.
New exhibition celebrating the contribution of Polish artists who fled Nazi-dominated Europe to British culture.
New exhibition celebrating the contribution of Polish artists who fled Nazi-dominated Europe to British culture.
After decades of making sculpture, in the last two years, Maurice Blik has identified a unique and personal way of working to externalise his thoughts and feelings. Now his sculptures leap, dance, stride, walk, hurry, peer, to express what it feels like to be alive.
Dr Nadia Valman, senior lecturer in the Department of English at Queen Mary University of London, will give a talk on Anna Gmeyner and Elisabeth de Waal
Lecture given by member of the Research Centre for German and Austrian Exile Studies, based at the Institute for Modern Languages Research, University of London
Dr Jochen Hung gives a critical introduction to the history of Weimar Republic and the era that shaped Simon and her sitters.
Art historian Ines Schlenker introduces the life and varied oeuvre of Milein Cosman (1921–2017). Best known for her drawings of musicians and dancers, she excelled at chronicling contemporary life, developing a unique drawing technique that enabled her to capture the most fleeting of moments.
This will be a chance to view the archive material and hear a talk on the life of the art dealer Herbert Bier (1905-1981) in the Visitors’ Library at the Wallace Collection.
A one-woman theatre show incorporating circus and puppetry, it is the true story of Irene, a Jewish acrobat who survived the Holocaust hiding and performing at a German circus. The show switches between past and present, intersecting Irene’s life with the performer’s experiences growing up a grandchild to Holocaust survivors.
At a time when so many problems afflicting our world are the result of our distrust and fear of strangers, we take a timely look at the representations of the Other in art history.
Monica Bohm-Duchen considers the experiences of the visual artists who sought refuge from Nazi persecution in Britain.
A one-woman theatre show incorporating circus and puppetry, it is the true story of Irene, a Jewish acrobat who survived the Holocaust hiding and performing at a German circus. The show switches between past and present, intersecting Irene’s life with the performer’s experiences growing up a grandchild to Holocaust survivors.