A selection of recent essay films – poignant, thought-provoking, sometimes darkly humorous and frequently disturbing – made by UK-based members of the so-called ‘Second Generation’, namely, the children of refugees from Nazi Europe and/or Holocaust survivors, whose work explores the complex and necessarily problematic legacy of their families’ experiences.
Based on documents found in Berlin archives, Four Parts of a Folding Screen explores exclusion, statelessness and the legalised theft and sale of everyday family possessions by the National Socialist regime.
In response to the positive reception the exhibition The Mad Silkman. Zika & Lida Ascher: Textiles and Fashion has enjoyed in the Czech Republic and abroad, among scholars and the general public alike, the Museum of Decorative Arts in Prague has decided to host an international conference.
This one-day symposium will examine the contribution of refugee dancers from Nazi Europe and their contribution to British Culture.
The aim of this event is to explore the experiences, impact and significance of those art dealers who fled Nazi Europe and set up in the UK before or during the Second World War. In line with other aspects of culture and enquiry at this time, this experience of dislocation changed the art world significantly as well as the status of particular artists and artistic movements, opening up channels for the dissemination of the new trends of the 1920s and 1930s. Celebrating the 50th anniversary of the foundation of Sotheby’s Institute of Art, this event will combine short papers by experts in the field and a panel discussion which will contextualize the experiences and achievements of those who lived through these dramatic times.
The conference aims to reappraise and – where appropriate – to challenge the received narrative about the history of art history in Britain. It will seek to re-evaluate just how ‘German’ British art history became between 1920 and 1970, and to explore the interactions with neighboring disciplines, such as Medieval History and Classics.
As the Bauhaus Centenary year comes to its close, what is left to say? The Bye Bye Bauhaus day symposium, offers new perspectives and stories that have not yet been told, concerning design in Germany and Britain during the past century.