Ben Uri Gallery and Museum is delighted to present three free linked talks following on from the recent exhibition curated by the Ben Uri Research Unit, marking the contribution to art in Britain by the so-called ‘Hitler emigres’ on the 80th anniversary of the outbreak of the Second World War.
As part of the Isle of Man’s annual Heritage Open Day weekends in October, there will be a programme of guided walks around the Island’s capital, Douglas and nearby Onchan, looking at the sites of various Second World War civilian internment camps.
Discover the revolutionary Modernist homes and idealistic architecture built in Hampstead in the 1930s
Migration has been in the DNA of the RNCM from its earliest roots, when in 1893 the German-born conductor Sir Charles Hallé realised his vision of founding a Northern conservatoire which became the Royal Manchester College of Music.
Get familiar with Moholy-Nagy’s unique perspective at a night of immersive activities. A talk by the author Valeria Carullo will be accompanied by interactive performances by experimental artist Steven J Fowler that take you to a journey into Moholy-Nagy’s world.
Ben Uri Gallery and Museum is delighted to present three free linked talks following on from the recent exhibition curated by the Ben Uri Research Unit, marking the contribution to art in Britain by the so-called ‘Hitler emigres’ on the 80th anniversary of the outbreak of the Second World War.
Talks by Charmian Brinson, Julia Winckler, Fran Lloyd and Rachel Pistol
The William Morris Gallery’s first major exhibition exploring the relationship between William Morris and the Bauhaus.
Join Nikesh Shukla and Chimene Suleyman as they discuss the experience of editing and contributing essays to both the US and UK editions of The Good Immigrant.
A partly staged reading inspired by international human rights lawyer Philippe Sands’ award-winning bestseller about the Nuremberg trials.
Having accepted the necessity of exile as they ventured into the unknown, refugees had massive practicalities to contend with. This talk draws on archival materials, especially relating to the activities of the Society for the Protection of Science and Learning (SPSL), to reconstruct procedures and indicate the nature of the help the émigrés received from organizations and individuals in Britain and the United States.
Find out what happened to The Tattooist of Auschwitz’s Cilka Klein from author Heather Morris as she discusses her latest novel at a London-exclusive event.
Lecture by Jennifer Taylor, member of the Research Centre for German and Austrian Exile Studies, based at the Institute for Modern Languages Research, University of London
In partnership with The London Library and Jewish Book Week, renowned art critic, William Feaver, discusses the first volume of his landmark new work of biography of one of the most important artists of the twentieth century.
A one-woman theatre show incorporating circus and puppetry, it is the true story of Irene, a Jewish acrobat who survived the Holocaust hiding and performing at a German circus. The show switches between past and present, intersecting Irene’s life with the performer’s experiences growing up a grandchild to Holocaust survivors.
A one-woman theatre show incorporating circus and puppetry, it is the true story of Irene, a Jewish acrobat who survived the Holocaust hiding and performing at a German circus. The show switches between past and present, intersecting Irene’s life with the performer’s experiences growing up a grandchild to Holocaust survivors.
20:20 is a multimedia, touring arts and heritage project that casts a long lens over the personal memories of refugee families who arrived in the UK from 1999 onwards from Kosovo and other major global conflicts.
20:20 is a multimedia, touring arts and heritage project that casts a long lens over the personal memories of refugee families who arrived in the UK from 1999 onwards from Kosovo and other major global conflicts.
An exhibition of prints by the renowned photomontage artist John Heartfield. A pioneer of German agitprop and an early member of the Berlin Dada group, Heartfield is known as the inventor of political photomontage. 33 of Heartfield’s scathingly satirical artworks against war, fascism and the Third Reich will be on display.
This ‘Show and Tell’ event celebrates the halfway mark of a major project – generously funded by the Marie-Louise von Motesiczky Charitable Trust – to catalogue and digitise three such émigré collections. They comprise the extensive papers of art historian, J. P. Hodin, the sketchbooks of artist Jankel Adler and the family papers of curator and publisher, David Mayor. A short talk will be given by Archive Curator Peter Eaves, and a range of material displayed from these and other collections.
The aim of this event is to explore the experiences, impact and significance of those art dealers who fled Nazi Europe and set up in the UK before or during the Second World War. In line with other aspects of culture and enquiry at this time, this experience of dislocation changed the art world significantly as well as the status of particular artists and artistic movements, opening up channels for the dissemination of the new trends of the 1920s and 1930s. Celebrating the 50th anniversary of the foundation of Sotheby’s Institute of Art, this event will combine short papers by experts in the field and a panel discussion which will contextualize the experiences and achievements of those who lived through these dramatic times.
This will be a special extended tour with a talk by Graham Whitham on Erich Mendelsohn’s life and legacy. A refugee from Hitler’s Germany, Erich Mendelsohn had already established an international reputation when he won the commission led by the 9th Earl De La Warr to design a new Pavilion for Bexhill.
More than 70 years after the Holocaust, children of survivors and refugees will explore together how it has affected their lives. This workshop will be led by Gaby Glassman, a psychologist and psychotherapist who has facilitated second generation and intergenerational groups in the UK and abroad since the 1980s.
Based on documents found in Berlin archives, Four Parts of a Folding Screen explores exclusion, statelessness and the legalised theft and sale of everyday family possessions by the National Socialist regime. We’re pleased to welcome Anthea Kennedy and Ian Wiblin to present their film alongside Peter Todd’s a spoon, and Martin Brady will be in conversation with the filmmakers following the screening.
The conference aims to reappraise and – where appropriate – to challenge the received narrative about the history of art history in Britain. It will seek to re-evaluate just how ‘German’ British art history became between 1920 and 1970, and to explore the interactions with neighboring disciplines, such as Medieval History and Classics.